Nomads Guinea – Progetti in corso
Supporto economico per la formazione dei docenti e per la realizzazione di corsi Audio Video su piattaforma Linux in Guinea Conakry
Postazione internet di cui dobbiamo verificare l´efficenza
Cinemá ambulant cineforum gratuito con topic emigrazione dall´africa
Donazione libri scolastici in lingua francese
Chi rende questo progetto possibile
Nomads: rete di collettivi autorganizzati ed autofinanziati attraverso eventi in spazi liberati
Notre Monde: Ong senza scopo di lucro, é una scuola di danza acrobatica per ragazzi senzatetto.
Mette a disposizione diversi materiali ed i locali dell´associazione ospitano i corsi e la postazione internet.
Junior Art Club: Ong con sede ad Accra, Ghana. Partner di progetti di autofinanziamento in europa.
Tina Fan, Guinea Conakry
I componenti del collettivo Nomads Guinea vogliono ringraziare vivamente tutti quelli che ci hanno aiutato e sostenuto, in particolare:
Köpi, specially our beloved party partners
XB Liebig & infoladen Daneben
New York Bethanien
A / I
Knuckel Up Cabaret
Video Communication Projekt
Ringraziamo inoltre i registi, che ci hanno dato le loro opere da proiettare con il Cinéma Ambulant
Andrea Searle “Alla ricerca del Libero Transito”
Andrea Segre “Sangue Verde”
Kaometric Soliparty for Nomads Guinée
Benefit for 2014′s projects in Guinea Conakry
Friday the 20th of September … @ Köpi Berlin
Line up :
Egon Frinz – Ambient (Cagliostro – DE)
Oxoa Necronauts – Necrostep (Kaometry – SP)
LLamatron – Warstep (Peace Off/Ruff/Kaometry – FR)
Itzi – Bouncing Tribe (Monotonsystem – DE)
Johnny Sideways – Industrial Hardtek/Hardcore (Kaotek Wreckords – UK)
Stazma The Junglechrist Idm/Breakcore (Peace Off/Acroplane – Fr)
Xeroderman – Idm/Breakcore (Kaometry/Mozyk/Sociopath rec – BE)
TaOuch – Hardtek (Kaometry – DE)
Video Installation by sansculotte (hirntrust)
Sound support by Monotonsystem
All graphics made by Dstry Trxh
Originally from the Breakcore scene, LLamatron is now claiming the Warstep term by producing a non-conventional hard dubstep music, savage and chaotic at the same time.
After a first EP, Mirror of War, on Accomodus, he joined the Peace Off label where his second EP, Ave Llama, came to life. Last fall, he started a new project with UK artist Gore Tech, and finished the soon-to-be-released Warhound EP on Rotator’s label.
His stunning rhythms and saturated bass will not leave you cold-hearted, but instead insufflate you a strong insane will to destroy your neighbor. enjoy life! – or survival?
After making an impact on the UK’s underground scene around the turn of the century, Johnny made his vinyl début in 2003 on acid techno label Dirtbomb records, though by this time was already developing the harder, breakbeat infused tekno sound he would become renowned for, taking in influences from Hardcore Techno and the European Tribe/Hardtek sounds he was playing while DJ’ing for the legendary Desert Storm Soundsystem.
In 2005 he formed his own label Kaotek Wreckords, as an outlet for the hybrid sounds he and others were producing. Now having played countless livesets in destinations all over Europe, and a back catalogue spanning 10 years on labels such as Tekiteazy, Electrokanibal, Absolute Rhythm and more, Johnny Sideways chews up and spits out genres into a living wall of sound..improvised, upfront and engaging..a purists nightmare..and devastating on the dancefloor.
Stazma The Junglechrist
If Breakcore is dead, then Stazma the Junglechrist is the resurrection!
Hailing from the same French stock as Monster X, Rotator and the infamous Peace Off imprint, Julien Guillot has been smashing up raves all across Europe since his first release on Peace Off in 2008 and is showing no signs of slowing down.
Having taken the early breakcore ethos of genre mashing and amen splicing, Julien delivers his sound of rave, gabber, jungle and dub with a modern, tight production that seems synonymous with the French these days.
As well as making a name for himself with releases on Meganeural, Structural Damage and Peace Off, it is Stazma’s live show which displays his work best. A frenetic, yet finely tuned assault on the senses.
“It’s really very energetic, efficient and has all the elements to both kick out your sissy friends out of the club and make the rest party till late after dawn. Stormy, ravy breakcore.” Nic (Ad Noiseam)
Young belgian breakcore/IDM producer, Xeroderman started out in 2008.
Of influences going from the punk hardcore to the classical music, he participates in several compilations, spotted, among others, by labels Mozyk and Peace Off, and should soon bring out his first EP soon on Kaometry.
He’s slowly making his name and a place in the middle, and we can certainly believe that it is one of the most promising figures of the Belgian breakcore, to follow, thus, without moderation!
21.00 Uhr cineforum:
“We are the wind” – film documentario sulla lotta contro le insatllazioni di pale eoliche nellIstmo de Tehuantepec, una regione del sud del Mexico e la realtá dietro questa energia verde. Lingua originale spagnolo con sottotitoli in inglese
“Life for gold. ReColonization and Resistance in Central America” – film documentario riguardo le miniere gestite da multinazionale che stanno invadendo il sud america. La lotta é appena all´inizio. Lingua originale spagnolo con sottotitoli in inglese
Grünbergerstr. 73, 10245 Berlin
7 Giugno 2013
Koepenicker Strasse 137, Berlin
Infostand, proiezioni, djset e liveset a finanziamento dei progetti Nomads 2014
Serata ballereccia per finanziare i progetti della PIRATA in Messico.
Perchè, come diceva Emma Goldman, “Se non posso ballare, allora non è la mia rivoluzione!”
URBAN SNAKES (militant d&b da Napoli)
JUNGLE RIOTS (d&b da Bologna)
Special Guest: RUDEBOY e SOROTON…
Internationalism and grassroots cooperation
20.00 Uhr: Vokü (vegane Solipizza)
21.00 Uhr: Nomads Africa präsentiert “Cinéma Ambulant Projet” (Travelling Cinema Project)
21.30 Uhr Doku: “Donka, Radioscope d’un hopital africaine” (Guinea 1997, Thierry Michel, 59 Min., frz. m. engl. UT) – Donka Hospital in Conakry, Guinea – the largest public hospital in the country – is similar to many African hospitals. Built in 1959 just before independence, it was designed based on a European model, with little consideration for the realities of Africa. The most important hospital in the country, its plight typifies the crisis affecting the entire African health sector. Over the years the hospital has accumulated substantial debt that neither the Guinean state nor international agencies will pay. Compelled to develop its financial autonomy, the hospital enforces a pay-as-you-go policy. This financial strategy is rigorously applied, but at a high human cost. In this hospital of last resort, families strive to save a child or parent, but without money, there are no drugs and little chance for survival. Revenues rise, but access to treatment diminishes.As we follow the floor-to-floor progress of patients, their families, doctors and nurses, portraits alternate to form a living chronicle where tragedy meets hope.